Peter Vandermark is an established Canberra sculptor whose work is engaged with geometric abstraction and its intersections with language and form. His work collides such diverse elements as found signs and signage, abstract forms, mirrors and the re-organisation of three-dimensional space.

Peter has exhibited widely in Australia and is represented by Olsen Gallery in Sydney. His work is held in many collections including the National Gallery of Australia, Artbank and the ACT Legislative assembly. Peter Vandermark is a valuable contributor to Strathnairn Arts community and was kind enough to give us a glimpse into his Arts Practice and workshop at Strathnairn Arts.

Peter also has some work available for purchase in the Strathnairn Arts SHOP Thursday - Sunday 10-4.

1. How would you describe your Arts Practice?

‘Construction’ – often involving repurposing found objects as a starting point – chairs, signage, ducting… abstraction with an industrial aesthetic?

2. Have you done any study? related to art or not?

I have a BA (Vis) from the then Canberra School of Art, (where I first met Peter Haynes).

3. What do you find most inspiring about your art space?

Just having a space to work where things can be left to consider for as long as it takes.

4. What does a studio day in your life look like?

It depends on the day… but mostly kick off with a coffee, get some music playing and then get stuck in.

5. How have you grown as an artist since starting out?

Not really sure – but I hope I have.

6. What gets you up in the morning and drives you to be a working artist?

It’s a hard habit to break after 30 years. I have been fortunate having a permanent part time position (at the NGA) which has supported that habit.

7. How did you stay focussed and original when starting out?

I’m not sure that I did… many artists, myself included are ‘bower birds’ our work part of an ongoing history which we refer to, borrow from, extrapolate within ones own practice.

8. What are the biggest challenges facing working artists and how do you overcome them?

Earning a living from ones art… most artists I know have some other job or employment to support their practice.

9. What do you read, watch, listen to, do to stay inspired?

I listen to music in the studio – an old iPod on shuffle. I don’t read enough, but when I do its contemporary fiction.

10. Do you have any advice for young artists?

I’m not sure if I am suitably qualified to answer this.